Journal

In modern web development there are a myriad ways to present an image on a web page and it can often feel pretty baffling. In this series I step through the options, moving from basic to flexible images; then from modern responsive images to the new CSS for fitting different sized images into a common shape. By the end I’ll arrive at a flexible, modern boilerplate for images.

The Great Divide between so-called front-end developers is real! Here, Brad Frost proposes some modern role definitions.

A front-of-the-front-end developer is a web developer who specializes in writing HTML, CSS, and presentational JavaScript code.

A back-of-the-front-end developer is a web developer who specializes in writing JavaScript code necessary to make a web application function properly.

From 2015: Alla Kholmatova reflects on the difficulty in choosing between molecule or organism when categorising components using atomic design at FutureLearn. She also provides some handy insights into how they handled it.

When thinking about complexity of elements, it helps viewing molecules as “helpers” and organisms as “standalone” modules.

Kicking off with an unreleased interlude by yours truly, it covers various shades of techno and electro from artists including @tapesjamaican, @pearsonsound, @reedalerise, @datashat, @legowelt-official, @cygnus and more.

Last time I tried Source Code Pro as my monospaced typeface for code examples in blog posts, it didn’t work out. When viewed in Firefox it would only render in black meaning that I couldn’t display it in white on black for blocks of code. This led to me conceding defeat and using something simpler.

An excellent article from Brad Frost in which he gives us some vocabulary for separating context-agnostic components intended for maximal use from specific variants and one-offs.

Chris Coyier takes the new CSS aspect-ratio property for a spin and tests how it works in different scenarios.

Here’s Chris Ferdinandi’s curated list of organisations which use vanilla JS to build websites and web apps.

You don’t need a heavyweight JavaScript framework, and vanilla JS does scale.

Great DJ mix by one of my favourite electronic producers, Datassette.

This mix is all about that 160bpm+ energy that first inspired me to make music. Around 1996 — to me at least, with the advantages of teenage naîvety — it seemed like electronic music had burst into a whole new tempo range, where there were no rules and anything was possible - as long as it BELTS (which is still true). If you go beyond 200 BPM, you reach that zone where 16th notes start to dissolve into 32nds and your brain latches onto a whole new outer layer of rhythm, like a fractal or temporal shepard tone. There is still much to be discovered!

Here’s a nice demo page for Source Serif 4 which illustrates its versatility.

Source Serif is an open-source typeface for setting text in many sizes, weights, and languages. The design of Source Serif represents a contemporary interpretation of the transitional typefaces of Pierre-Simon Fournier. Additionally, Source Serif has been conceived as a friendly companion to Paul D. Hunt’s Source Sans.