Journal

I’ve recently been updating my website over a series of nights and weekends. The changes aren’t very noticeable to the eye; they mostly involved modernising and streamlining back-end features and technology, plus some improvements to accessibility and performance. I’m really happy to have made them!

About a year ago I wrote about the features I wanted on my personal website versus those it had. The work I’ve been doing recently has helped to plug the gaps.

During this work I documented the latest features of my website on the readme of my public website repository. I find it really useful to be able to see this information at a glance. It’ll also make life much easier when I want to tweak things in the future.

Here’s what the Features section of my readme currently says:

• Statically generated, fast loading pages using Eleventy
• Hosted with Netlify
• Focused on accessibility, performance and web good practices (100/100 scores for all on Lighthouse)
• Supports draft posts that are skipped in production builds using 11ty’s Preprocessor API
• Raw image to modern image conversion via Eleventy Image plugin: converts formats; generates sizes; turns markdown img into the modern HTML for performant, responsive images
• Content editing via Decap CMS
• Search feature using PageFind and Zach Leatherman’s pagefind-search web component
• Contact form using Netlify Forms
• 404 page shown when necessary, thanks to Netlify’s custom 404 page handling
• Code block syntax highlighting via prism.js
• Supports deep-linking to headings via Zach Leatherman’s heading-anchors web component
• RSS feed using 11ty’s RSS plugin. I created a custom collection named feedPosts to let me control which posts are shared
• Tags page which lists all tags as links; plus “Posts tagged with x” pages
• Uses JavaScript modules for both client-side JS and on the server
• Pure modern CSS with no pre- or post- processing dependencies. Layers, native nesting, etc.
• Bundling (CSS and JS) via 11ty Bundle plugin
• Minification with cssnano
• Design Tokens defined in interoperable JSON then implemented as CSS custom properties (inspired by Heydon’s approach)
• Intrinsically responsive layouts inspired by Every Layout
• Fluid responsive type and spacing using Utopia
• Avatar available at a well-known location (Jim Nielsen’s idea)
• SEO: I provide an XML sitemap for search engines, and a human-readable sitemap

I’ve created a checklist called Website post-launch checklist which I can use after making updates. I’ve added this to my readme. (Perhaps in future I can automate some of the checklist tasks but for now manual is fine.)

I also want to do updates to 11ty and its plugins more regularly – I think that’ll be less painful. I have dependabot alerts turned on and I have also subscribed to the 11ty Blog’s feed in an effort to hear about upcoming changes.

I’ve added myself to 11ty’s community and am now listed as an Eleventy author. I hope that some day I’ll find that fuzzylogic.me has been added to 11ty’s Speedlify Leaderboard too – that’d be cool!

Danish composer and producer Marie Louise Buch’s LP from last year is on heavy rotation chez moi at the moment. It’s a chill but heartfelt mix of sun-drenched guitars, electronics and ML’s pure vocals that has elements of The Durutti Column and maybe even The Cocteau Twins… and it’s really hitting the spot for me.

Listen and buy on Bandcamp.

Somewhere is my current favourite track, but the whole album is great.

Thanks to Phillip H for the excellent recommendation. And I’m of course now jealous that I wasn’t a fan of ML in time to go to her Glasgow gig last year.

I didn’t have the appetite for Kazuo Ishiguro’s latest novel during the pandemic. I started it, but as the underlying sense of melancholy and “something bad around the corner” began to set in – just like it did in Never let me go – I realised I wasn’t in the right frame of mind for it. Cut to 2025 and it was time to give it another go.

I’d read before that Ishiguro is primarily interested in exploring what it is to be human, and uses science and technology elements as a device to support that. In Never let me go the device was cloning. In this book, the narrator is an “artificial friend” named Klara who is an AI-powered, empathetic android, and Ishiguro uses Klara’s unique perspective to shine a light on human behaviour and motivations.

I won’t attempt to properly review the book when others have done it much better. I’ll just say I really enjoyed it and recommend it.

Here are a few scrappy notes about themes I found interesting and jotted down.

• Scientific and technological advancements that present moral questions
• the idea of genetic editing (modification, I guess) to gain advantage, but with risks and side-effects. The gamble this represents.
• human loneliness
• blind faith/religion (which even Klara, as a rational machine, learned)
• Klara’s capacity for innocence, morality, contentment in a way that the humans seemed incapable of
• The idea that we can’t create identical clones of people because it’s not just their makeup that makes them unique; there’s also how others love and perceive them (which can’t be copied)
• the potential dark side-effects of our societal choices and technological advances: environment collapse and pollution; societal divisions (the father Paul’s armed community)

Clair bought me Jude Rogers’ book for Christmas thinking I would enjoy it – and I did. I love the idea of chronicling the milestones of your life using music – music that touched you, that you were obsessed with, or that bonded you with significant others.

I also enjoyed reading the science behind the feelings. As Jude asked in the first chapter:

How do songs affect our emotions so profoundly? How can they activate memories instantly?

It turns out that babies can recall what they heard while in the womb, and are predisposed to get music in a manner beyond advanced computers. The medial prefontal cortex – an area of the brain linked to our sense of self – is involved in tracking melodies. There are lots of these interesting insights.

Jude’s tunes ranged from Abba to Krafterk to Toots and the Maytals, which I found good fun. And as proof of music’s facility for time-travel, her final chapter on Prefab Sprout’s I trawl the megahertz transported me back instantly to my desk at Bright Signals’ office in 2018 during my contract there, where my friend Andy’s playlists introduced me to that unique tune.

On Friday night Clair took me to dinner at local bar restaurant Vini and it was a real treat. To start we shared arancini and a salad, then for my main I had Papardelle Ragu. I had a mezcal cocktail too, which I loved.

We were celebrating my recent promotion to principal engineer. I’d known for a few weeks and although I felt happy and proud, it was mixed with a healthy dose of impostor syndrome. I also had a recent, challenging meeting playing on my mind, so I was distracted and hadn’t relaxed into the situation. But Clair’s lovely gesture and spending that time together and relaxing did the trick, and at last I felt able to enjoy the good news.

On Saturday Clair went out for an easter meal with her mum and cousins and I spent the day with Rudy. The previous Thursday he’d had a really bad anxious reaction on the street, seemingly from nowhere, and I was caught in the crossfire and left exasperated. But as we went into the weekend he seemed back to his best self and we enjoyed lovely walks and a bit of sun in Linn Park.

On Sunday I went to Troon to visit Davie. He was over from New York visiting his mum. His family have all had a rough time of it. It was really sunny again and we enjoyed a walk along South Beach before stopping to watch Celtic vs Johnstone at local pub, The Fox. We then visited some family friends of Davie’s and sat outside in their garden.

The whole weekend was just what the doctor ordered and has left me feeling great going into the week ahead.

I’ve just finished reading F. Scott Fitzgerald’s The Great Gatsby. It’s short so was a perfect holiday read.

I enjoyed the ride as the mystery of Gatsby’s identity was revealed. Although it transpired he was no angel, I sympathised with his aspirations to make the most of himself. I felt sorry for him as he pushed against the tide, and others either exploited his generosity or (in the case of the “old money” set personified by Tom Buchanan) blocked him from moving in their circles.

The last passage is pretty thought-provoking:

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter—tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning——

So we beat on, boats against the current, borne back ceaselessly into the past.

From what I can gather it alludes to the futility of constantly “reaching” in the face of opposition and at the expense of the good opportunities and life you could already have. It’s a path that can lead you to bad morals and values and end in unhapiness. It has special meaning in the context of the American Dream but I think there’s a general theme. Live in the present; learn to value what you have.

Yesterday I took the short bus trip from Marbella to Málaga for the day. I’d visited Seville a few years back and thought it was high time I checked out another of Andalusia’s big cities.

Having walked from the bus station to Avenida de Andalucia, my first port of call was the Atarazanas food market. It’s a stunning building with a glass roof supported by an intricate iron structure, and a large stained glass window at one end. There’s a vast array of vegetables, fish, meat and more on offer at 250 colourful stalls. It was bustling and full of life. On my way back home after I’d built up an appetite, I grabbed a seat just outside the building and enjoyed one plate of fried fish and another of lightly fried aubergine with honey, washed down with a beer. ¡Qué rico!

Next, I ventured across Alameda Principal and past Parque de Malaga down to the marina. After a 10 minute walk past waterfront restaurants and bars I arrived at The Pompidou Centre. Their temporary exhibition was called Place-ness. I found it really interesting. It aimed to show how historical events, politics, economic models and technological change can affect our perceptions of places. People from the country and the city are ascribed different status. Industrialisation (cars, motorways) results in non-places – purely functional zones such as airports and refugee camps that might evoke standardisation or dehumanisation. The works in the exhibition “invite us to change our perspective to consider these spaces as interdependent rather than static”.

As I walked toward the historic centre for a good old wander, I was then struck by a stunning view of the Alcazaba, a Moorish medieval fortress on a hill, overlooking the sea. With a bit more time, fairer weather and some company I would have gone for a visit… but I’ll leave that til next time.

I loved Jason Pargin’s I’m starting to worry about this black box of doom.

It’s one of those stories that captures the zeitgeist amazingly well (a bit like The Social Network did back at the time). In this case it captures the tendency for folks online to blow things out of proportion; to catastrophise and to think the worst.

The black box has a boogie-man physical form in the book, but it soon becomes clear that it’s a clever metaphor for perhaps the real source of anxiety and division in the modern culture.

I loved the charcacters, the dialogue and the dark comedy. I especially enjoyed Ether’s vain attempts to make Abbot realise that everything isn’t really terrible and is arguably – arguably! – the best we’ve ever had it.

I 100% recommend this book.

Had a great local night out there. After meeting Gillian and Aarti for some lovely food at Lobo, Clair joined us at the local Tramway theatre for the show.

I’ve previously read and enjoyed a couple of Haruki Marukami’s books and from what I’ve learned about his interests I generally like the cut of his jib. So it was great to hear that there’d be a Murakami theatre production on our doorstep, and intriguing to see how they’d pull off the weird, dreamy nature of his stories. As it happens our neighbour Matt is the artistic director of Vanishing Point and he’d already mentioned in passing that they’d been collaborating with Japanese organisation KAAT, so I’d been looking out for this one.

The show didn’t disappoint. The performances (joint Japanese and UK performers, each speaking in their own language), shapeshifting set design and lighting were fantastic. In particular we loved the creative ways they presented the ryokan and onsen (hot springs bath) scenes, which took me and Clair back to our 2016 trip to Kyoto. The theme of losing your identity was interesting too.

At the end we all hung out in the concourse where there were some tasty plates on offer from Sushi Riot.

Shout out to Gillian who got us our tickets for show. We loved it.