Journal

“Dark mode” has been a buzz-phrase in web development since around 2019. It refers to the ability provided by modern operating systems to set the user interface’s appearance to either light or dark. Web browsers and technologies support this by allowing developers to detect whether or not the OS provides such settings, and if so which mode the user prefers. Developers can create alternate light and dark themes for their websites and switch between these intelligently (responsively?) to fit with the user’s system preference.

I’ve been meaning to do some work on this front for a while and finally got around to it. (You might even be reading this post with your computer’s dark colour scheme enabled and seeing the fruits of my labour.) Here’s how I set things up and the lessons I learned along the way.

Great tutorial (with accompanying video) from Adam Argyle which starts with a useful definition of what a Toast is and is not:

Toasts are non-interactive, passive, and asynchronous short messages for users. Generally they are used as an interface feedback pattern for informing the user about the results of an action. Toasts are unlike notifications, alerts and prompts because they're not interactive; they're not meant to be dismissed or persist. Notifications are for more important information, synchronous messaging that requires interaction, or system level messages (as opposed to page level). Toasts are more passive than other notice strategies.

Warning: this entry is a work-in-progress and incomplete. That said, it's still a useful reference to me which is why I've published it. I’ll flesh it out soon!

There are lots of different strands of web development. You try your best to be good at all of them, but there’s only so much time in the day! Animation is an area where I know a little but would love to know more, and from a practical perspective I’d certainly benefit from having some road-ready solutions to common challenges. As ever I want to favour web standards over libraries where possible, and take an approach that’s lean, accessible, progressively-enhanced and performance-optimised.

Here’s my attempt to break down web animation into bite-sized chunks for ocassional users like myself.

Enjoyed this funny and touching film about a Syrian asylum seeker searching for happiness on a remote Scottish island.

I’ve started reading Station Eleven, by Emily St. John Mandel.

Here’s an interesting development in the block link saga: GOV.UK have introduced one (named .chevron-card) on their Homepage, citing how it’ll improve accessibility by increasing mobile touch targets. It’s not yet been added to their Design System while they’re monitoring it to see if it is successful. They’ve chosen the approach which starts with a standard, single, non-wrapping anchor then “stretches” it across the whole card via some pseudo elements and absolute positioning magic. I’m slightly surprised at this choice because it breaks the user’s ability to select text within the link. Really interested to see how it pans out!

Just taking a moment for some musings on which way the front-end wind is blowing (from my perspective at least) and how that might practically impact my approach on the next small-ish website that I code.

A classic talk by Jeremy Keith on progressive enhancement and the nature of the web and its technologies.

Jeremy Keith’s new course for Google’s web.dev learning platform is fantastic and covers a variety of aspects of responsive design including layout (macro and micro), images, icons and typography.

Recently, during a period when pandemic woes were taking their toll and likely making me a little cranky at home, I found some funny and helpful words of wisdom on Adam Buxton’s podcast and when re-watching Ricky Gervais’s interview with Larry David.

On sustaining a happy marriage, Buxton said:

Every now and then you think “they’re not doing what I want them to do and I think it’s important that they do do this thing that I want them to do! (But) you have to think really hard: is this thing actually important? Is it worth getting bent out of shape about?

It’s good advice. He mentioned that he’s slowly getting better at that, and I’m trying my best to, too.

Meanwhile, on the reasons why he got into acting, Larry David said:

it gets you out of the house!

So simple but true—it’s good to get out of the house! We’re now emerging from a period of sustained isolation and I should probably avoid being completely remote (and going stir crazy) and get back into the office occasionally.