Journal

A thought-provoking look at how LLMs might lower the burden of writing useful alt text for images, and – given the right prompts – produce better results than humans doing it manually.

It’s far more descriptive than what I would have written without it.

Jared goes on to argue that the benefits really multiply when working at scale. This part made me think of the content team at my work who maintain a customer-facing knowledge base and need to write alt text for hundreds of screenshots.

A huge time-saver is if you’re working with a large set of images. You can write the prompt only once and then say you want the same applied to each image you upload.

Hidde is, like me, both an “accessibility nerd” and “a components enthusiast”. So it’s interesting to see him tackle whether it’s sensible for design systems – even really good ones – to “promise accessibility”.

We should definitely test how accessible components are and document what they can and can't contribute to a website's accessibility. And WCAG requirements can help with this. However, I think claiming WCAG conformance about pages or sets of pages, as we do today, approaches it at the right level. I don't think we should want to claim conformity of components by themselves.

He goes on to say:

There's a real risk in overpromising the value of a component if we say it is accessible or conforms to some accessible standard. It could make people believe that they no longer need to worry about accessibility once they use or buy the component. That creates the wrong expectations: accessibility is a continuous process. Like we want to always iterate on user experience, we want to always iterate on accessibility.

Here are my main takeaways.

On Tuesday 29th July 2025, my mother in law Jackie passed away. It was sudden and completely unexpected – she was healthy and taken far too young at only sixty-two years old.

Jackie was dearly loved by all her family and friends for her warmth, kindness and zest for life.

That day and the days thereafter have been have been tough, especially for Clair and her dad.

Jackie was an amazing person, I loved her, and it’s gonna leave a big gap in our lives. We now need to to stick together through the rough times ahead. We should keep in mind how lucky we were to have her, and honour her strong values and kindness.

In my recent post Website updates I said:

I’ve added myself to 11ty’s community and am now listed as an Eleventy author. I hope that some day I’ll find that fuzzylogic.me has been added to 11ty’s Speedlify Leaderboard too – that’d be cool!

Well, about a week ago I noticed that I have been added to 11ty’s Speedlify Leaderboard and not only that I’ve gone straight in at the very respectable rank of #23. I’m among some really talented company there so I’m proud of that!

At work, my talented colleague Anda and I have been taking a fresh look at modal dialogues with a view to modernising relevant design system components. During this project I’ve expanded my knowledge of the HTML dialog element, especially the nitty-gritty of using it in practice.

I’ve recently been updating my website over a series of nights and weekends. The changes aren’t very noticeable to the eye but involved some careful modernisation and streamlining of back-end features and technology, plus improvements to accessibility and performance. I’m really happy to have made them.

Danish composer and producer Marie Louise Buch’s LP from last year is on heavy rotation chez moi at the moment. It’s a chill but heartfelt mix of sun-drenched guitars, electronics and ML’s pure vocals that has elements of The Durutti Column and maybe even The Cocteau Twins… and it’s really hitting the spot for me.

You can preview in full and buy on Bandcamp.

Thanks to Phillip H for the excellent recommendation. And I’m of course now jealous that I wasn’t a fan of ML in time to go to her Glasgow gig last year.

I didn’t have the appetite for Kazuo Ishiguro’s latest novel during the pandemic. I started it, but as the underlying sense of melancholy and “something bad around the corner” began to set in – just like it did in Never let me go – I realised I wasn’t in the right frame of mind for it. Cut to 2025 and it was time to give it another go.

I’d read before that Ishiguro is primarily interested in exploring what it is to be human, and uses science and technology elements as a device to support that. In Never let me go the device was cloning. In this book, the narrator is an “artificial friend” named Klara who is an AI-powered, empathetic android, and Ishiguro uses Klara’s unique perspective to shine a light on human behaviour and motivations.

I won’t attempt to properly review the book when others have done it much better. I’ll just say I really enjoyed it and recommend it.

Here are a few scrappy notes about themes I found interesting and jotted down.

• Scientific and technological advancements that present moral questions
• the idea of genetic editing (modification, I guess) to gain advantage, but with risks and side-effects. The gamble this represents.
• human loneliness
• blind faith/religion (which even Klara, as a rational machine, learned)
• Klara’s capacity for innocence, morality, contentment in a way that the humans seemed incapable of
• The idea that we can’t create identical clones of people because it’s not just their makeup that makes them unique; there’s also how others love and perceive them (which can’t be copied)
• the potential dark side-effects of our societal choices and technological advances: environment collapse and pollution; societal divisions (the father Paul’s armed community)

Clair bought me Jude Rogers’ book for Christmas thinking I would enjoy it – and I did. I love the idea of chronicling the milestones of your life using music – music that touched you, that you were obsessed with, or that bonded you with significant others.

I also enjoyed reading the science behind the feelings. As Jude asked in the first chapter:

How do songs affect our emotions so profoundly? How can they activate memories instantly?

It turns out that babies can recall what they heard while in the womb, and are predisposed to get music in a manner beyond advanced computers. The medial prefontal cortex – an area of the brain linked to our sense of self – is involved in tracking melodies. There are lots of these interesting insights.

Jude’s tunes ranged from Abba to Krafterk to Toots and the Maytals, which I found good fun. And as proof of music’s facility for time-travel, her final chapter on Prefab Sprout’s I trawl the megahertz transported me back instantly to my desk at Bright Signals’ office in 2018 during my contract there, where my friend Andy’s playlists introduced me to that unique tune.