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Tagged “gig”

Weekend notes (18/10/24)

That was a productive and fun weekend.

On Friday, Clair was meeting her mum and cousin in town so this was my quiet night in. I settled down to watch episode 4 of the The Penguin and ordered fish tikka from Kebabish – banging).

I started Saturday with a short Rudy-walk then it was off to Pete’s for some table-tennis practice. I’ve been playing crap recently and wanted to fix things. Pete was as generous as ever with his tips, and his advice on “the triangle” and "dialling up/down power" was really effective! By the end I was playing both forehand and backhand much better. After this I drove out to Kirky and collected my brother Martin to go for a chat over lunch at Nonna’s Kitchen. On the way home we popped into my niece Chloe’s new house and I enjoyed chasing wee Leo around his garden. At night Clair and I stayed in and watched Where the Crawdads Sing which was enjoyable enough.

On Sunday I had a really lovely autumnal walk around Pollokshields with Rudy and bumped into Mark M, then Dawn A, in the hood. In the evening I caught up with Mick M and, after a beer at Shilling and food at Rosa’s Thai we went to see Skinshape performing at Room Two. The music was great and the bassist was particularly impressive. I just think Will could do with belting the vocals out a tad louder. My favourite moment was hearing The Longest Shadow live.

Robert Henke CBM 8032 AV at Tramway, 29-09-23

Over the years I’ve seen Herr Henke (of Monolake fame) doing variously-themed live shows and in a variety of locations. I loved this particular show and it was made even better by catching him at The Tramway Theatre, one of my favourite venues and just 10 minutes walk from home.

Robert Henke’s set-up for the CBM 8032 AV show
Robert Henke’s set-up for the CBM 8032 AV show

Here’s a little about CBM 8032 AV in the great man’s own words:

CBM 8032 AV is an exploration of the beauty of simple graphics and sound, using computers from the early 1980’s. Everything presented within the project could have been done already in the 1980, but it needed the cultural backdrop of today to come up with the artistic ideas driving it. On stage are five carefully restored Commodore CBM 8032 computers, running custom software developed by the artist and his team. Three computers create sound, one machine is responsible for the graphics and one is controlling all the others, with their green cathode ray tube displays facing the audience, operated by the artist during the show.

I was there with Tom and Simon. Here’s a little phone recording captured by Tom.

We left in agreement that Robert really is a genius. I’ve always loved his music and he is still doing fresh, inventive and wonderful things.

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